The Toy Artist Custom Inspiration

The Limitless Imagination of Childhood Wonder

Most American childhoods are full of toys. Sometimes the toy comes first, sometimes the TV show does. But either way it soon becomes a collectible – whether the kind you play with or the kind that sits on a shelf, reminding you of your favorite characters. A true fan has more in mind than an eventual sale – for one can never know what’ll be worth money later on.
But what about when your favorite just doesn’t strike the fancy of the toy makers? What about when the toy maker’s version of the character just doesn’t match yours?

Making the Toy YOU Want

That’s where the customizers come in. These innovative fans go further. They decide they’ll make their favorite character look the way they want it to look. It may just be a new paint job, like a Breyer horse going from a boring black horse to a splashy pinto.  Or they may go a step further and mash it up, such as taking My Little Pony and decorating it like Yoda or Doctor Who.
How do they do it? Well, I can’t speak from much personal experience: I have done a few Breyer repaints but that’s it. But I can tell you it takes reference material, a vivid imagination and usually the raw figure, maybe more than one if you are going to mix or match parts. This is a time honored tradition, in fact, the original Star Wars….what became a New Hope….owes much of the early starship models to ‘kit bashing’. In other words, they took bits from different model car and airplane kits and mixed them in ways the designers did not intend and certainly didn’t put in the instruction manual!
Of course, some companies have caught wind of this and decided to reward the creativity. Breyer puts out a ‘bare’ paint your own horse kit. Hasbro’s Mighty Muggs: which had Superheroes as well as Star Wars, had a ‘blank’ paint your own version too. And of course, so does My Little Pony. Barbie has a ‘style your own’ on the web site (although that’s not as hands on, obviously.)


Doctor Whooves G4 Custom Pony by ~kd-230692 on deviantART

 

Not surprisingly these ‘bare’ kits aren’t enough for some though. They might be fine starters, but (expect for Mighty Muggs, which are all alike) they usually offer only one model. And you certainly can’t add the furry look of the wookie, the horn of that unicorn or various other features without a bit of tweaking. Surprisingly, some of these use sculpey, judging from my Deviant Art research. This gave me pause. How do you add the Sculpey, which has to be oven baked, to a My Little Pony or other plastic doll, which would melt or burn in an oven? Or do you bake the parts separate (more likely.) Presumably the smaller the toy, the harder it is to ‘customize’. Also not surprisingly, these customs have a following of their own.

Can You Do Make Your Own Custom Toy Or Can You Buy One?

Those who can’t make, buy. And they pay a good deal too. Are they worth it? Probably. Someone thinks so. It took the cost of materials, plus whatever someone felt their time and creativity were worth. I would guess most of these ‘special’ toys, are not going to young kids. They are going to the grown up kind: whether they are over eighteen or just young collectors.  


Wonder Woman Custom by ~n3gative-0 on deviantART

Of course, there is always that ‘iffy’ realm between selling fan art and a violating copyright. Okay. Where does the line come in between “My Little Pony”, “Star Wars” or “Doctor Who” and the creativity of the person who made it come in? For most, fan art stays fan art if it’s ‘at most’ one piece. Forget merchandising. It’s a bit risky even selling one, but it largely depends on the owner of the copyright. I like the think many of these copyright holders recognize their own danger in overzealousness at pursuing a single one of a kind fan custom figure. One doesn’t want to alienate their own fans. That might stop hem from buying. And odds are, that custom figure has base parts from regular figures which…ahem…they still want to sell. So they must balance this fine line with care.

And they don’t stop with toys. They continue into the dioramas and playsets to put the toys into show off.


Hoth Echo Rebel Base by ~GalerieMoreau on deviantART

And why do we do it? Why do apparent adults and kids of an age when hanging out with friends are normally taking up the time suddenly getting involved with this stuff?

I think it’s that emotional, sentimental memory of their fandom. Combined with the need of the arts and craftsman to create, it expresses itself through collecting and customizing. It recaptures a little of childhood’s joyous wonder and refuses to let it go forever. Some people keep their fandom in the closet (perhaps literally). Others are more open. But when you walk down the street, taking with friends, even hearing some bully put another down, let the thought come. The most grown up grown up might, in fact…be hiding a pony in the closet. Or that cool custom hotrod, hand painted and paid a fortune for. Don’t let them fool you. They are everywhere!
 


Captain Amerihorse by ~Epona142 on deviantART

Many Custom Star Wars Whiphids

Custom Star Wars Whiphid Action Figures Posted on Photobucket by lugo_matapollos

Compromised Art

The Art and the Money to Show it

Compromise in art can be maddening. Art can be many things, many mediums. It can be the fine art hanging on the wall of the museum, or even what’s on the front of a cereal box. It can be a play or a movie or a TV show. But all of these things are compromised by the very basic need of funds to create.

Even in the olden days, the famous artists like Da Vinci and Michaelangelo needed patrons. That meant the patron could influence and command what art they were able to concentrate on. Wars stole supplies that would have been used for art and magnificent potential pieces like Da Vinci’s horse waited long after his death to come to life.

Da Vinci’s imagination –
art and science ahead of it’s time.
Image credit: Photobucket: By bluejule122

Changing demands mean right now photographic manipulation has largely replaced illustration on movie posters and book covers. And once again the artist must choose between money for supplies or changing what they would do. Already one had to fit their creations onto certain products, now they had to alter technique.

Compromise in Storytelling – TV and Movies.

As for TV – oh dear. Television in and of itself has changed. HD is obvious and recent. But what’s more, so has the need for commercials. Those in charge add little pop ups to the bottom or the side, a rather shocking distraction from the main action. Apparently whoever invented them for web browsing decided to take them somewhere without a pop up blocker. Sometimes clever product placements appear in the show – like White Collar’s Ford Taurus and Apple ads or even the fact that HP computers are all thru the FBI office. Some aren’t so clever. But ultimately, commercial time is extended. And it chops into the show, cutting off bits and pieces.

White Collar scene. Probably a Promo shot, this was never part of an episode.
Image Credit: Photobucket: By Spielende

As for movies on TV, that’ s even more of a compromise, because sometimes they just aren’t designed with commercials in mind. They were meant for the big screen of a theater.  The end result of adding commercials sometimes seems like they took the old fashioned film reel, put it on the wall like a dart board and threw the darts at it. Then they spliced in commercials where ever they pleased and chopped out however much they needed too.

Changing the Message of the Story

The problem with these compromises is that sometimes it changes the entire message of the art. Take Disney’s Miracle of the White Stallions. As a child, I never understood why it was called ‘Flight of the White Stallions’ on TV but listed as ‘Miracle of the White Stallions’ elsewhere. Then I got the DVD. The message was immediately obvious. For on TV the flight of the lippizans and the Spanish Riding School from Vienna was just that. A run to where they were found by General Patton and offered protection. But the ‘Miracle’ part had been left on the cutting room floor to make room for commercials. The miracle was the many people who braved the Nazi’s wrath to help smuggle them out in spite of orders to keep them there. I had a similar shock with one of my favorite incarnations of a Christmas Carol: called “Scrooge” and starring Albert Finney and Alec Guinness. It was a musical. The TV version chopped off a whole section where he wakes up in hell. I had no clue it existed until I bought the DVD.

Flight of the White Stallions…or is Miracle?
Image Credit: Photobucket By roberttaylorfan

Sometimes these actions seem downright sacrilegious. I loved ‘A Night Before Christmas’ by Rankin Bass (who also animated Rudolph, the Red Nose Reindeer and the Hobbit) as a child. But when I came back as an adult I was horrified to find that the whole thing was chopped to bits. The whole message of hope and faith was whittled to nearly nothing by commercials. One whole song was wiped out completely.  As for Rudolph, I no longer know which is more accurate: the one I saw as a child or the one with the music changed but obviously part of the original show. I prefer either to the whittled down version. I  find it rather amusing as well. The rather sexist message of the reindeer refusing his mate’s desire to help search for her son, for instance. “This is man’s work.” Hah. Apparently he failed to realize that disqualified him too, he was a reindeer, not a man!

Who Decides?

Who makes these decisions to alter someone else’s story? At least with something like Star Wars and it’s infamous ‘Han shot first’ debate, the change, however controversial, was made by the creator. But who decides it’s okay to shred a children’s classic? Or remove a TV show’s funniest moments to cram in one more commercial?  It doesn’t seem to involve planning to work around the original story line or message and leaving it intact. It apparently does not take into account the work of the artists involved, actors, directors or creators. Nor does it take into account the fans. And if it doesn’t take into account these, than surely it does a disservice. For by altering the story, they are diminishing the chance to make new fans. New fans, who would buy those DVDs, or collectibles or in turn support shows like it in the future.

Han Shot First

I don’t claim to have a solution. It takes creativity, perhaps, to even work with the commercials, to interweave them into the program without breaking it’s momentum or damaging the story. Perhaps it takes training though if anyone is trained for this (beyond the ‘we need more money’ end) I don’t know.
But if they aren’t, maybe they should be. For television, movies and streaming media are our modern storytellers. They help us know the monsters can be defeated and challenges overcome. They let us escape our own problems to find a new point of view and things to get excited or laugh about. But only if the overcoming and escaping doesn’t end up on the cutting room floor and replaced with another ad for kitchen cleaner. Speaking for myself: I don’t find it inspiring to see one more commercial to ‘buy more.’ I already know how to do that. I really think we all do.

 

References:

Han Shot First

Miracle of the White Stallions

Flight of the White Stallions

Scrooge

Leonardo’s Horse Sculpture

TV Advertisements

White Collar

Inspiration from my World and Finding it in Yours

Art History and Appreciation is boring….or is it?

Is it really that dull?

When going to art school or taking classes I note they give a lot of attention to the old masters. Art history and it’s appreciation is often a requirement. This is understandable, for knowing where we come from is important.
But how many of us truly have started art because of them? In my case, inspiration came from elsewhere and only later did it lead me to an appreciation of it’s history.

Art of the Story
My love of horses came from books I read and movies I saw. This means that illustrators, writers and movie makers had an impact long before I realized they were artists in their own right. A peacefully grazing horse or one napping in it’s stall is lovely. But the ones rearing, galloping, leaping and playing are the ones that seem the most alive. To me, they are art in motion in and of themselves. Some films like The Black Stallion revealed this in full glory.

Art of the Movie
As a fan of science fiction I only gradually realized that my beloved Star Wars had to start in an art studio. Without Ralph McQuarrie’s designs, it may never have come to pass. Artists painted backgrounds, built models and invented an entire industry for special effects. Some of these same artists went on to create Photoshop and the modern software that now creates art in 3D. And where would it be without the awesome movie poster art of Drew Struzan?

Art of the Game
Video games are created, in part by artists and I am highly and personally aware they are on target in their ideas about education and games. I recall flunking lessons in how to read music in grade school. Yet I started to get the hang of it playing a video game version of Indiana Jones and the Last Crusade.  I never did finish the game, but I did learn to read music enough to play the right tune on the skulls!  Amazing what a difference the approach makes. I couldn’t learn for the grade, I doubt if you offered me money I could get it. Somehow getting Indy through to that tomb helped me learn it!

Art History meets them all and becomes more appealing.
Finally, full circle I’ve come to notice art history, not just through art classes but through TV and the movies. A few odd artists are more intriguing when encountered by a very young Indiana Jones. An episode where Doctor Who meets Van Gogh suddenly makes the man come alive in a way the old school story of ‘he’s the guy that cut off his ear’ never did.  Then there is my favorite show White Collar. Take and FBI agent and his ‘former’ art forger criminal consultant, set them loose in New York solving art heists and the like and the whole world of art history and museums has an all new appeal.  Their accuracy is questionable: this is fiction after all. Sometimes they use real artists, sometimes they invent them. But the real point is not whether it’s true. It’s the fact that they got my attention and aroused my interest in the first place.

Tapping into what’s already there.
Is it just me changing? I don’t really think so. I think it’s always been true, that if  you plug the subject to be learned into what a person is already interested in, it engages in a way that would otherwise be dry and boring.  As my growing curiosity about art history leads me around the web I’ve definitely noticed who seems to be tapping in and who doesn’t and how.

Art Galleries Online
Some art galleries have gone highly interactive. A look at the Google Art Project. It can take you to museums around the world many of us will never have a chance to set foot in. Some have podcasts or videos online. Some have interactive games or tools to study certain artworks or artists.
Others still have the most boring, bland websites with tiny print and navigation that certainly doesn’t take account for people who might have trouble seeing it. They may be easier on an older computer in general, but they are definitely a turn off in comparison.  The odd thing is the great stuff is usually for kids. Why is it the world thinks adults want a ‘dull’ approach? Why can’t it be fun no matter what your age?

A few cool Art Galleries online:

Explore the Met

National Gallery of Art for Kids

The Tate Museum

Google Art Project

Butler Institute of American Art

Explore the British Museum

So now I’m gradually coming to know who of the old masters I like and why, what mediums I’d like to try even if I  have to imitate them on the computer.   I love drawing and am willing to try drawing nearly anything. But I could do horses with my eyes closed and in my sleep. As for my writing, well, it’s no surprise I’ve written Star Wars and White Collar fanfics and I love their websites. I’ve written other science fiction but I’ve yet to try and publish it.

Neal Caffrey's Debate
Neal Caffrey's Debate: White Collar Fan Art, Corel Paint Experiment

Warning: Creative License may bend the facts.
And then there is that little catch to all this. If you are going to tap into these interests – learning through pop culture can’t end there.  Don’t assume pop culture did it’s homework.   Pocohantas and Mulan are wonderful female heroes. But Disney’s version isn’t exactly full of truth. The movies, games, TV and historical fiction are a springboard to look deeper. These aren’t flat words on a page or a cardboard picture painted by some guy way back when. They were real people and events with lives and loves, fears, mental illness and physical and economic challenges. That’s the part that’s inspiring. How many of them would imagine our world today? How many would dare dream it’s technology? Would they dare even imagine the prices their work would sell for or the things we would say? Would they be amazed at how much we know or fall over laughing at how far from the truth we had come?

What are your inspirations?

Here are a sites for some of mine that include games, episodes, forums and all sorts of interactivity.

Star Wars

White Collar

Doctor Who

Indiana Jones

*Note – Remember when doing fan art or fan fiction it is not something you can legally sell. Making money off of it violates copyright law. It makes great practice and can be shared for free fun among your fellow fans. But please remember the actors, writers and artists of these shows too, are out there to earn a living. We wouldn’t want them to stop our favorite show to earn money waiting tables. At least, I wouldn’t!*